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No. 14 (2016): Museums and exhibitions between WWI and WWII
No. 14 (2016): Museums and exhibitions between WWI and WWII
Published:
2016-12-12
Indice / Table of contents
5-9
https://doi.org/10.13138/2039-2362/1546
PDF (Italiano)
Editorial
Editoriale / Editorial
Massimo Montella
11-12
https://doi.org/10.13138/2039-2362/1545
PDF (Italiano)
Museums and exhibitions between WWI and WWII: Introduction
Introduzione / Introduction
Silvia Cecchini, Patrizia Dragoni
13-22
https://doi.org/10.13138/2039-2362/1559
PDF (Italiano)
Museums and exhibitions between WWI and WWII: Essays
«La concezione moderna del museo» (1930). All’origine di un sistema di regole comuni per i musei / “The modern conception of the museum” (1930). To the origins of a system of common rules for museums
Patrizia Dragoni
25-51
https://doi.org/10.13138/2039-2362/1464
PDF (Italiano)
Dalla «più difforme congerie di oggetti» ad un «perfetto ambiente spirituale» per l’opera d’arte. L’allestimento del Museo Nazionale di Palermo alla fine degli anni Venti del Novecento / From the “più difforme congerie di oggetti” (most dissimilar jumble of objects) to a “perfetto ambiente spirituale” (perfect spiritual environment) for the work of art. The display of Palermo National Museum at the end of the 1920s
Ivana Bruno
53-88
https://doi.org/10.13138/2039-2362/1259
PDF (Italiano)
Twenty years of the Archaeological Museum in Zadar in the documents of the Department for Antiquities of Marche, Abruzzi, Molise and Zadar
Serena Brunelli
89-130
https://doi.org/10.13138/2039-2362/1440
PDF
«Le graminacee della burocrazia» sul terreno delle idee museali per la Certosa di Capri (1921-1936) / “Le graminacee della burrocrazia” (The graminaceous plants of bureaucracy) on the ground of museum ideas for Certosa of Capri (1921-1936)
Maria Ida Catalano
131-172
https://doi.org/10.13138/2039-2362/1529
PDF (Italiano)
The Beginnings and Development of the Collection of Historic Musical Instruments of the Kunsthistorisches Museum in Vienna
Beatrix Darmstaedter
173-192
https://doi.org/10.13138/2039-2362/1352
PDF
The debate over the creation of a Museum of Modern Art in Paris between the wars and the shaping of an evolutionary narrative for French art
Chara Kolokytha
193-222
https://doi.org/10.13138/2039-2362/1353
PDF
The “Mostra del Quarantennio” and the Canon of Modern Art at the Venice Biennale in the Interwar Period
Laura Moure Cecchini
223-252
https://doi.org/10.13138/2039-2362/1387
PDF
Mostrare e tutelare. Esposizioni, propaganda e conservazione nelle province di Como e Sondrio (1920-1938) / Exhibiting and protecting. Exhibitions, propaganda and conservation in the provinces of Como and Sondrio (1920-1938)
Gianpaolo Angelini
503-530
https://doi.org/10.13138/2039-2362/1394
PDF (Italiano)
Allestimenti museali, mostre e aura dei materiali tra le due guerre nel pensiero di Amedeo Maiuri / Museum displays, exhibitions and aura of materials between WWI and the WWII in Amedeo Maiuri’s thinking
Gabriella Prisco
531-574
https://doi.org/10.13138/2039-2362/1437
PDF (Italiano)
L’imminenza del "doppio”. Opere e allestimenti di Edoardo Persico / The imminence of the “double”. Edoardo Persico’s works and displays
Roberto Cresti
575-611
https://doi.org/10.13138/2039-2362/1448
PDF (Italiano)
The Strossmayer Gallery in Zagreb in the interwar period: from a utopian project to a renowned institution
Ljerka Dulibic, Iva Pasini Tržec
613-634
https://doi.org/10.13138/2039-2362/1393
PDF
Musei fra le due guerre: racconto di un’annessione. Il caso della Pinacoteca civica di Ancona fra riallestimenti e dispersioni / Museums between WWI and WWII: story of an annexation. The case of the Civic Art Gallery of Ancona between rearrangements and dispersions
Caterina Paparello
635-694
https://doi.org/10.13138/2039-2362/1242
PDF (Italiano)
“Ma l’America è lontana”. A proposito della nascita del Modern Art Museum di New York (1929) / “Ma l’America è lontana” (But America is far-away). Notes on the opening of the Modern Art Museum of New York (1929)
Stefania Zuliani
695-710
https://doi.org/10.13138/2039-2362/1438
PDF (Italiano)
La differenza tra noi e “gli altri”: su alcune mostre coloniali milanesi organizzate nel Ventennio fascista / The difference between us and “the others”: notes on some colonial exhibitions in Milan during the “Ventennio” (the Fascist period)
Silvia Colombo
711-738
https://doi.org/10.13138/2039-2362/1388
PDF (Italiano)
«Arte al servizio di un’idea». Il ruolo dell’“Esposizione dell’Aeronautica italiana” (1934) nel dialogo tra arte, architettura, politica e pubblico / «Arte al servizio di un’idea» (Art at an idea’s service). The role of the “Esposizione dell’Aeronautica italiana” (1934) in the dialogue between art, architecture, politics and public
Orietta Lanzarini
739-786
https://doi.org/10.13138/2039-2362/1445
PDF (Italiano)
Mostrare/Dimostrare. Gli allestimenti effimeri nella Roma del decennale fascista (1932) / Exhibiting/Showing. The ephemeral displays in Rome during the tenth anniversary of the March on Rome (1932)
Aurora Roscini Vitali
787-811
https://doi.org/10.13138/2039-2362/1384
PDF (Italiano)
Historia de un fracaso. Las exposiciones del fascismo en la España de la Segunda República (1933-1936) / The story of a failure. The Fascism exhibitions in Spain during the Second Republic
Alina Navas
813-838
https://doi.org/10.13138/2039-2362/1279
PDF (Italiano)
Mostre e musei nei cinegiornali dell’Archivio Luce tra le due guerre / Exhibitions and museums in the newsreels of the Institute Luce Archive between the WWI and the WWII
Tommaso Casini
407-427
https://doi.org/10.13138/2039-2362/1395
PDF (Italiano)
L’Italia e l’Europa negli anni Trenta. Musei, storia dell’arte, critica e restauro nei documenti dell’inchiesta internazionale sulla formazione dei restauratori (1932) / Italy and Europe during the 1930s. Museums, art history, art criticism and restoration in the documents of the international survey about the training of restorers (1932)
Silvia Cecchini
429-458
https://doi.org/10.13138/2039-2362/1535
PDF (Italiano)
«A Ca’ Giustinian fu tutto diverso». La mostra di Paolo Veronese a Venezia (1939) / «A Ca’ Giustinian fu tutto diverso» (At Ca’ Giustiniani eveything was different). Paolo Veronese exhibition in Venice (1939)
Matilde Cartolari
459-502
https://doi.org/10.13138/2039-2362/1390
PDF (Italiano)
The exhibition for sale. The Austrian Museum for Art and Industry between nationalistic exploitation and self-perception as an educational institution during the Austrofascist era
Maria-Luise Feher
253-273
https://doi.org/10.13138/2039-2362/1397
PDF
Painting the National Portrait: Retrospective Exhibitions of French and Italian Art in the 1930s
Kate Kangaslahti
275-345
https://doi.org/10.13138/2039-2362/1385
PDF
Material reenactment: The missing and replaced paintings of Malevich’s 1929 retrospective
Marie Gasper-Hulvat
347-368
https://doi.org/10.13138/2039-2362/1391
PDF
Hospitalidad transnacional: la implicación francesa en la exposición "L'Art Catalan" de París (1937) / Transnational hospitality: the French involvement in the exhibition “L’art Catalan” in Paris (1937)
Eva March
369-386
https://doi.org/10.13138/2039-2362/1441
PDF
L'art et le temps de la chasse dans la section française de l' "Internationale Jagdausstellung" (Berlin, 1937) / The art and the time of the hunt in the French section of the “Internationale Jagdausstellung” (Berlin, 1937)
Catherine Girard
387-405
https://doi.org/10.13138/2039-2362/1446
PDF
La ricostruzione del pergamo di Giovanni Pisano: solennità impareggiabile dell’arte e del fascismo / The reconstruction of the pulpit by Giovanni Pisano: incomparable solemnity of art and fascism
Fabiana Susini
839-860
https://doi.org/10.13138/2039-2362/1398
PDF (Italiano)
Essays
Digitisation of Cultural Heritage and Business Model Innovation: The Case of the Uffizi Gallery in Florence
Luciana Lazzeretti, Andrea Sartori
945-970
https://doi.org/10.13138/2039-2362/1436
PDF
S. Fiorentino di Nuvolato (MN). Un’ipotesi sulle vicende costruttive e alcune considerazioni sul cantiere della chiesa romanica / S. Fiorentino di Nuvolato (MN). An hypothesis on building events and some notes on the construction site of the Romanesque church
Cristiano Cerioni
865-894
https://doi.org/10.13138/2039-2362/1381
PDF (Italiano)
Reflections on the History of Dalmatian Culture and Art in the Immediate Post-War Period
Ivana Prijatelj Pavicic
895-911
https://doi.org/10.13138/2039-2362/1461
PDF
Elements for impact assessment of cultural heritage and community well-being. A qualitative study on Casentino’s Eco-museum
Glenda Galeotti
913-943
https://doi.org/10.13138/2039-2362/1457
PDF
Documents
La catalogazione e la descrizione archivistica in rapporto all'evoluzione dell’ambiente digitale. Riflessioni sul nuovo standard RDA / The cataloging and archival description in the digital environment. Considerations about the new standard RDA
Giorgia Di Marcantonio
973-986
https://doi.org/10.13138/2039-2362/1534
PDF (Italiano)
Limiti e potenzialità per lo sviluppo dell’heritage-based tourism nelle aree interne. Il caso di Fiordimonte (MC) / Limitations and potentialities for the development of the heritage-based tourism in inner areas. The case of Fiordimonte (MC)
Elisabetta Maroni
987-1032
https://doi.org/10.13138/2039-2362/1538
PDF (Italiano)
Book reviews
Lorenzo Casini, Ereditare il futuro. Dilemmi sul patrimonio culturale / Lorenzo Casini, Inheriting the future. Dilemmas about cultural heritage
Carmen Vitale
1035-1037
https://doi.org/10.13138/2039-2362/1537
PDF (Italiano)
Classic
I musei dell'Unione Sovietica / The museums of the Soviet Union
Frederick Antal
1041-1043
https://doi.org/10.13138/2039-2362/1547
PDF (Italiano)
In memory of Claudia Giontella
Ricerca, tutela e valorizzazione del patrimonio archeologico: opinioni a confronto / Research, protection and enhancement of archaeological heritage: comparing different point of views
Carmelo Grasso, Mario Pagano, Paolo Gull, Francesca Sogliani
1047-1115
https://doi.org/10.13138/2039-2362/1544
PDF (Italiano)
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