No. 31 (2025)

• Indice

  3-6

  https://doi.org/10.13138/2039-2362/4137

  • PDF (Italiano)

Editorial

• Editoriale

  Pietro Petraroia

  7-10

  https://doi.org/10.13138/2039-2362/4136

  • PDF (Italiano)

Essays

• La chiesa di Petrus e Johanna: nuove proposte su Santa Maria in Pallara a Roma / The church of Petrus and Johanna: new proposals on Santa Maria in Pallara in Rome

  Andrea Ghionna

  13-50

  https://doi.org/10.13138/2039-2362/3789

  • PDF (Italiano)

• The Middle Ages by Charles Percier (1764-1838). Between perception and document: first reflections on some unpublished Roman drawings.

  Maria Teresa Gigliozzi

  51-86

  https://doi.org/10.13138/2039-2362/3994

  • PDF (Italiano)

• The History of illumination through ministerial activities

  Annalisa Laganà

  87-110

  https://doi.org/10.13138/2039-2362/3966

  • PDF (Italiano)

• Nuove riflessioni sui panni dipinti fiamminghi e sulla loro diffusione in area italiana tra Quattrocento e Cinquecento / New Insights on Flemish Painted Canvas and Their Diffusion in the Italian Area between 15th and 16th Century

  Tamara Dominici

  111-146

  https://doi.org/10.13138/2039-2362/3669

  • PDF (Italiano)

• Rivalry on the Roman Scene: Guido Reni’s Brushes versus Caravaggio’s Fists

  Daniel Unger

  147-168

  https://doi.org/10.13138/2039-2362/3618

  • PDF (Italiano)

• To the glory of a new dynastic spring. The frieze of the Room of Augustus in Palazzo De Vico in Macerata

  Alessandro Cadelli

  169-196

  https://doi.org/10.13138/2039-2362/3782

  • PDF (Italiano)

• Sculture italiane in marmo nel Viceregno del Perù / Italian Marble Sculptures in the Viceroyalty of Peru

  Francesco De Nicolo

  197-234

  https://doi.org/10.13138/2039-2362/3520

  • PDF (Italiano)

• Oufittings, licences and disputes: Luigi Canina President of the Capitoline Museums in 1855-1856.

  Chiara Mannoni

  235-258

  https://doi.org/10.13138/2039-2362/3663

  • PDF (Italiano)

• Una polemica esemplare. Gli acquisti alla XXVI Biennale di Venezia nelle carte dell’Archivio Centrale dello Stato / An Exemplary Controversy. The Purchases at the XXVI Venice Biennale in the Papers of the Archivio Centrale dello Stato

  Elisa Bassetto

  259-280

  https://doi.org/10.13138/2039-2362/3545

  • PDF (Italiano)

• In a Sea of News: Stories from the Discovery to the Museum Display of the Punic Ship-Wreck of Marsala (TP)

  Chiara Vitaloni

  281-324

  https://doi.org/10.13138/2039-2362/3649

  • PDF (Italiano)

• The first curricula for teaching art history in secondary schools: comparison between Italy and Spain

  Debora De Gregorio

  325-346

  https://doi.org/10.13138/2039-2362/3625

  • PDF (Italiano)

• Play that game. Carsten Höller's slides. Play as a participatory tool in institutional contexts

  Luca Palermo

  347-368

  https://doi.org/10.13138/2039-2362/3729

  • PDF (Italiano)

• Architectural heritage and slow tourism: policies of reuse along a historic pathway

  Rossella Moscarelli

  369-392

  https://doi.org/10.13138/2039-2362/3559

  • PDF (Italiano)

• Fire Risk Analysis with Risk Matrix Method in Historical Wooden Mosques as Cultural Heritage

  Muammer Yaman

  393-414

  https://doi.org/10.13138/2039-2362/3525

  • PDF (Italiano)

• Digital perspectives of Sumela Monastery in the interaction of cultural heritage and technology

  Izzettin Kutlu, İrem Bekar

  415-438

  https://doi.org/10.13138/2039-2362/3546

  • PDF (Italiano)

• Participation, territorial identity, regeneration. The Italian Capitals of Culture

  Lucia Cappiello

  439-460

  https://doi.org/10.13138/2039-2362/3781

  • PDF (Italiano)

• Food identity and migrations: dynamic processes and local communities

  Martina Arcadu, Giacomo Zanolin, Laura Migliorini

  461-482

  https://doi.org/10.13138/2039-2362/3533

  • PDF (Italiano)

• The Thematic Charcoal Trail in the Nebrodi Mountains (Sicily) as a tool to recover the local Heritage Landscape

  Gianni Petino

  483-518

  https://doi.org/10.13138/2039-2362/3690

  • PDF (Italiano)

Book reviews

• Review of Mattia Sanna Montanelli (2024), Heritage Crowdsourcing. Processi di qualità nella ricerca partecipata per il patrimonio archeologico italiano, Quingentole: SAP Società Archeologica, 180 pp.

  Martina Bernardi

  519-524

  https://doi.org/10.13138/2039-2362/3682

  • PDF (Italiano)

• Lorenzo Mascheretti, L'intarsio ligneo all'incrocio delle arti. L'opera di fra Damiano Zambelli. 1480 circa- 1549, Roma-Bristol: «l'Erma» di Bretschneider, 395 pp.

  Francesca Coltrinari

  525-528

  https://doi.org/10.13138/2039-2362/3974

  • PDF (Italiano)

• Book Review: Alessandro Serrani (2024), Lavoro e arte. Le corporazioni di mestiere nel Rinascimento bolognese, Edizioni Pendragon.

  Stephanie Leone

  529-532

  https://doi.org/10.13138/2039-2362/3890

  • PDF (Italiano)

• Paola Dubini, Diana Martello, Alberto Monti (2024), Rendere conto. Il bilancio di sostenibilità delle organizzazioni culturali, Milano: EGEA, 135 pp.

  Elena Borin

  533-536

  https://doi.org/10.13138/2039-2362/3981

  • PDF (Italiano)

• Bertacchini E.E., Borrione P. (2024), La cultura conta. Riflessioni sull’economia della cultura a partire dall’opera di Walter Santagata, Torino: Edizioni Fondazione Santagata ETS, 229 pp.

  Mara Cerquetti

  537-542

  https://doi.org/10.13138/2039-2362/4016

  • PDF (Italiano)

• Federico Valacchi (2024), L’archivio aumentato: tempi e modi di una digitalizzazione critica, Milano: Editrice Bibliografica, 175 pp.

  Gemma Scali

  543-548

  https://doi.org/10.13138/2039-2362/3972

  • PDF (Italiano)

Classic

• Letter to the Mother from the Prison of San Vittore

  Fernanda Wittgens

  549-550

  https://doi.org/10.13138/2039-2362/4035

  • PDF (Italiano)