Supplementi 17/2024: La nuova età del bronzo. Fonderie artistiche nell’Italia post-unitaria (1861-1915) Patrimonio d’arte, d’impresa e di tecnologia

• Indice/Table of contents

  5-7

  • PDF (Italiano)

Indirizzi di saluto

• Institutional greetings

  Claudio Strinati, Donata Lazzzerini, Luca Monica, Christian Corsi, Silvano Squaratti, Massimiliano Rossi, Serena Veggetti

  9-18

  • PDF (Italiano)

Introduction

• Introduction

  Paolo Coen, Mario Micheli, Sandro Scarrocchia

  19-22

  • PDF (Italiano)

Essays

• Le fonderie d’arte industriale tra diciannovesimo e ventesimo secolo: imprenditori, artisti e designer al lavoro a Parigi e a Roma/Industrial art foundries between the 19th and 20th centuries: entrepreneurs, artists and designers at work in Paris and Rome Industrial art foundries between the 19th and 20th centuries: entrepreneurs, artists and designers at work in Paris and Rome

  Paolo Coen

  25-46

  • PDF (Italiano)

• The road to Italy’s industrialcapitalist take-off 1861-1914: an interpretation

  Giampaolo Conte

  47-58

  • PDF (Italiano)

• Architecture in casting, from cast iron to iron to concrete.

  Luca Monica

  59-77

  • PDF (Italiano)

• Around the Duomo. Decoration and figuration by Alessandro Mazzucotelli (1865-1938)

  Stefano Cusatelli

  79-93

  • PDF (Italiano)

• Ornamental patterns for architecture in XIXth century Naples

  Fabio Mangone

  95-109

  • PDF (Italiano)

• Formatori, fonditori, bronzisti e restauratori nella Firenze post-unitaria / Mold, replica, bronze casting and restoration in Florence during the post-unification era

  Maria Baruffetti

  111-136

  • PDF (Italiano)

• The ‘F.lli Galli/successors Papi’ foundry: the ongoing legacy of the past between tradition and innovation for Florentine bronze casting (1856-1913)

  Giuseppe Rizzo

  137-153

  • PDF (Italiano)

• Bronze artworks at the Milan National Exhibition in 1881

  Stefania Cretella

  155-172

  • PDF (Italiano)

• The american sculptor Hendrik Christian Andersen (1872-1940) and his roman founders

  Valerio Caporilli

  173-196

  • PDF (Italiano)

• For a survey of artistic foundries in Palermo between the first and second half of the 19th century

  Pierfrancesco Palazzotto

  197-216

  • PDF (Italiano)

• Mass education: The magazine «Arte Italiana Decorativa e Industriale» and the art of iron (1890-1911)

  Annalisa Barbara Pesando

  217-237

  • PDF (Italiano)

• To cast is to confuse

  Massimo Mazzone

  239-245

  • PDF (Italiano)

• Emilio Sperati, "dazzling star of Turinese foundry art" (1861-1931). The singular story of a great smelter and art collector

  Arabella Cifani

  246-261

  • PDF (Italiano)

• The modern Art Gallery Carlo Rizzarda Museum of the decorative arts and documentation center for the wrought iron work in early 20th century

  Tiziana Casagrande

  263-277

  • PDF (Italiano)

• For a review of Carlo Rizzarda's production and mercantile activities: the role of photography.

  Valentina Pellegrinon

  279-293

  • PDF (Italiano)

• Cast iron artefacts between art and industry

  Raffaella Bassi

  295-310

  • PDF (Italiano)

• DOCUMENTARY SOURCES ON SCHOOLS OF APPLIED ART IN INDUSTRY IN ITALY IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES

  Maria Letizia Sagù

  311-326

  • PDF (Italiano)

• Conceptual maps "Foundries of the Italian art industry 1861-1915"

  Sandro Scarrocchia, Annalisa Pesando, Luca Barone

  327-337

  • PDF (Italiano)

• Notes on Alfred Gotthold Meyer’s Eisenbauten (1907)

  Sandro Scarrocchia

  339-359

  • PDF (Italiano)

• National Identity Issues. Bronze Monuments in Florence between the 19th and 20thh Centuries from Urban Monumentalization, in a Opinion by Marcello Piacentini, to the Restoration

  Ferruccio Canali

  361-374

  • PDF (Italiano)

• Christofle: grandeur Napoleon III and small items à la Ponti

  Elena Dellapiana

  379-395

  • PDF (Italiano)

• Bronze Risorgimento in Western Sicily

  Roberta Cruciata

  395-419

  • PDF (Italiano)

• A new approach to the study of lost-wax casts: Medardo Rosso and the use of 3D scans

  Sharon Haya Hecker

  421-432

  • PDF (Italiano)

• Bronzes and foundries in pre-unitarian Rome. “The miserable state into which our city had fallen”

  Sante Guido

  433-454

  • PDF (Italiano)

Testimonianze

• Testimonies

  Ettore Marinelli, Francesco Lucenti, Arturo Bruni, Andrea e Alfredo Lamperti

  455-459

  • PDF (Italiano)