I libri di divulgazione per l’infanzia nel panorama internazionale. Questioni teoriche, cenni storici e nuovi sviluppi
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Copyright (c) 2025 Giorgia Grilli

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Condividi allo stesso modo 4.0.
DOI:
https://doi.org/10.48219/1382Parole chiave:
Nonfiction; Children’s literature; Children’s publishing; Picturebook; XX-XXI CenturiesAbstract
This article presents an analysis of children’s nonfiction: its definition, its
evolution, the question of whether it can be considered part of children’s literature altogether,
or rather a corpus of books that are different from the narrative, poetic, imaginative,
‘artistic’ children’s titles. In the attempt to understand which elements can contribute
to the creation of a quality nonfiction, special attention is paid to the so-called ‘pictorial
turn’, and more specifically to the nonfiction picturebook, a publishing phenomenon that
started during the 2000s at an international level. The nonfiction picturebook is especially
interesting, as a medium, because, both content – and form-wise, it is characterized by
a strong experimental and innovative drive, and this inevitably affects the way knowledge
is communicated and shared with children.