Supplementi (15/2023): Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts

Published: 2024-01-31

View Supplementi (15/2023): Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts

Table of contents

pp. 5-7

https://doi.org/10.13138/2039-2362/3452
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Introduction

Conspectu legar populi: An Introduction to the Iconic Life of the Metamorphoses in Europe and Beyond

Francesca Casamassima, Fátima Díez Platas, Giuseppe Capriotti

pp. 9-30

https://doi.org/10.13138/2039-2362/3503
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Ovidius Pictus

The mythological image in the illuminated manuscript of the Metamorphoses from the Marciana Library (Venice. Marciana Library, Lat. Z. 449a)

Brianda Otero Moreira

pp. 33-67

https://doi.org/10.13138/2039-2362/3298
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Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages

Pablo Piqueras Yagüe

pp. 69-104

https://doi.org/10.13138/2039-2362/3271
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A non-Ovidian myth in the Ovidius Moralizatus: the double parthenogenesis of Pallas and Vulcan according to Petrus Berchorius

Elena Moscara

pp. 105-130

https://doi.org/10.13138/2039-2362/3395
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The representation of Bacchic festivities in the Middle Ages: The illuminated manuscripts of the Ovide moralisé and the Ovidius moralizatus

Patricia Meilán Jácome

pp. 131-160

https://doi.org/10.13138/2039-2362/3293
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Section 2. Ovidian Materiality: Movable Metamorphoses

The iconography of the abduction of Proserpina in the main Italian versions of Ovid’s Metamorphoses printed in the 16th century

Ilaria Ottria

pp. 163-191

https://doi.org/10.13138/2039-2362/3227
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What’s Love Got to Do with It? Ovid, the “Love of the Gods,” and Cinquecento Carved Cassoni

Bar Leshem

pp. 193-224

https://doi.org/10.13138/2039-2362/3278
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Weaving Myths: Ovid’s Metamorphoses and the Labours of Hercules Tapestries in the Renaissance

Anne-Sophie Laruelle

pp. 225-247

https://doi.org/10.13138/2039-2362/3250
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Ovidian Secrets: An Unknown 17th-Century Cabinet in Santiago de Cuba and the Illustration of the Metamorphoses

Fatima Diez Platas

pp. 249-270

https://doi.org/10.13138/2039-2362/3504
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Narcissus and Echo in Liguria. The embodiment of Ovid’s Metamorphoses in Villa Durazzo Faraggiana di Albissola Marina

Rieke Dobslaw

pp. 271-290

https://doi.org/10.13138/2039-2362/3272
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Section 3. European Ovid: Metamorphoses between Centre and Periphery

Identification and Transgressive Gazing: Paola Gonzaga’s Fontanellato Frescoes

Caroline Koncz

pp. 293-326

https://doi.org/10.13138/2039-2362/3289
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Ovidius painted and printed. The influence of Metamorphoses illustrations on two friezes in Marca di Ancona

Francesca Casamassima

pp. 327-352

https://doi.org/10.13138/2039-2362/3307
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Prometheus in the Palazzo del Principe

Laura Stagno

pp. 353-376

https://doi.org/10.13138/2039-2362/3409
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Ovid’s Metamorphoses in 17th- and 18th-Century Bohemia and Moravia

Radka Nokkala Miltova

pp. 377-411

https://doi.org/10.13138/2039-2362/3264
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Expansion and theatricality: Ovid frescoes in the Ráday Mansion, Pécel

Gyöngyvér Horváth

pp. 413-452

https://doi.org/10.13138/2039-2362/3346
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“Ovidius inter Sarmatas”. On the origins of Ovid’s popularity in Polish culture and art

Barbara Hryszko

pp. 453-478

https://doi.org/10.13138/2039-2362/3424
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Ovid’s Legacy on Trial. Aristocratic Gender Roles in the Painted Vaults of Two Noble 18th-century Palaces in Macerata

Giuseppe Capriotti

pp. 479-509

https://doi.org/10.13138/2039-2362/3498
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Section 4. Ovidian Polysemy: The Meaningful Search

Polysemic Hercules: Gustave Moreau & Ovid’s Metamorphoses

Erin Daly

pp. 513-536

https://doi.org/10.13138/2039-2362/3277
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Hybris and Sacrificium. Aby Warburg and Ovid’s Metamorphoses in Imagery

Claudia Cieri Via

pp. 537-552

https://doi.org/10.13138/2039-2362/3499
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Ecological Myth: Ovid and the Anthropocene in three examples of contemporary Danish art

Jonathan Barnes

pp. 553-575

https://doi.org/10.13138/2039-2362/3295
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