Forja de Almas (1943): Francoist Appropriation of Andrés Manjón’s Pedagogy to Construct a Model Image of Teachers through Cinema

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Pubblicato

2024-06-25

Fascicolo

Sezione

Special issue Public Histories of Education: Perceptions, Memories and Constructions

DOI:

https://doi.org/10.48219/1283

Autori

  • Xavier Motilla Salas University of the Balearic Islands Palma de Mallorca (Spain)
  • Llorenç Gelabert Gual University of the Balearic Islands Palma de Mallorca (Spain)

Parole chiave:

Public History, School, Cinema, Propaganda, Spain, XX Century

Abstract

Cinema interests historians of education as it represents an opportunity to analyse and study the aim of creating collective imagery around different educational topics, such as schools and teachers in the past. This contribution takes a specific look at cinema’s influence in Spain in the early years of the Franco dictatorship, which aimed to conjure model teachers and educational practices from a new approach supported by the regime, through an analysis of the film Forja de Almas (1943). The research also intends to analyze the Francoist appropriation of Andrés Manjon’s pedagogy. Our initial hypothesis is that the film may help us understand the collective perception and imagery put forward by the Franco regime to construct and impose a type of model teacher in Spanish society.

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