«Not a mere tangential outbreak»: gender, feminism and cultural heritage
Downloads
Pubblicato
Fascicolo
Sezione
Licenza
La licenza adottata è la Creative Commons - Attribuzione/Condividi allo stesso modo. Ovvero, gli autori che pubblicano su questa rivista accettano le seguenti condizioni:
- Gli autori mantengono i diritti sulla loro opera e cedono alla rivista il diritto di prima pubblicazione dell'opera, contemporaneamente licenziata sotto una Licenza Creative Commons - Attribuzione che permette ad altri di condividere l'opera indicando la paternità intellettuale e la prima pubblicazione su questa rivista.
- Gli autori possono aderire ad altri accordi di licenza non esclusiva per la distribuzione della versione dell'opera pubblicata (es. depositarla in un archivio istituzionale o pubblicarla in una monografia), a patto di indicare che la prima pubblicazione è avvenuta su questa rivista.
- Gli autori possono diffondere la loro opera online (es. in repository istituzionali o nel loro sito web) prima e durante il processo di submission, poiché può portare a scambi produttivi e aumentare le citazioni dell'opera pubblicata.
DOI:
https://doi.org/10.13138/2039-2362/1897Abstract
The aim of this essay is to provide an overview of recent contributions to the “gender and heritage” debate, focusing in particular on suggestions and recommendations about how to expand and further advance the gender agenda in the heritage field of research. The first section considers the arguments put forward in a series of articles that evaluate the level of knowledge and development achieved in the heritage field, exposing shortcomings and impediments. The second section takes a closer look at the dialogue between feminist theory and museum studies, arguing that feminist interventions in the museum sector, which have a long history dating back to the 1970s, are predicated on a fruitful intermingling of theoretical insights and practical strategies. The final part offers a synthesis of gender-aware proposals and methodological models elaborated, and in some cases tested, in the literature under review.
Lo scopo di questo articolo è quello di offrire una rassegna critica di contributi recenti al dibattito su gender e patrimonio culturale, con particolare attenzione rivolta alle proposte e raccomandazioni su come affermare istanze di genere in questo campo di ricerca. La prima parte si concentra sulle argomentazioni avanzate in una serie di articoli che valutano lo stato dell’arte, evidenziando ostacoli e mancanze. La seconda sezione prende in considerazione più specificatamente il dialogo tra teorie femministe e museologia, sottolineando come questo dialogo, che va avanti da tempo, sia strutturato su un produttivo inter-scambio tra input teorici e strategie operative. La sezione finale contiene una sintesi delle proposte avanzate nella letteratura presa in esame.
Riferimenti bibliografici
Ashton J. (2017a), Why Feminism and Museums? In Ashton 2017b., pp. 43-58.
Ashton J, ed. (2017b), Feminism and Museums: Intervention, Disruption and Change, vol 1. Edinburgh: MuseumEtc Ltd.
Ashton J, ed. (2018), Feminism and Museums: Intervention, Disruption and Change, vol 2. Edinburgh: MuseumEtc Ltd.
Baldwin J., Ackerson W. (2017), Women in the Museum: Lessons from the Workplace, New York: Routledge.
Barad K. (2007), Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning, Durham, NC: Duke University Press.
Bergsdóttir A. (2016), Museums and Feminist Matters: Considerations of a Feminist Museology, «NORA – Nordic Journal of Feminist and Gender Research», 24, n. 2, pp. 126-139.
Bergsdóttir A., Hafsteinsson S. (2018), The fleshyness of absence: the matter of absence in feminist museology, in Grahn, Wilson 2018, pp. 99-111.
Blake J. (2015), Human Rights Dimensions of Gender and Intangible Cultural Heritage, «Human Rights Defender», 24, n. 2, pp. 5-7.
Blake J. (2016), Gender and the 2003 Intangible Cultural Heritage Convention, «World Heritage», n. 78, pp. 56-57.
Braidotti R. (2013), The Posthuman, Cambridge: Polity Press.
Bourdeau L., Gravari-Barbas M., Robinson M., eds. (2015), World Heritage, Tourism, and Identity: Inscription and Co-Production, London: Routledge.
Butler J. (1988), Performative Acts and Gender Constitution: an Essay in Phenomenology and Feminist Theory, «Theatre Journal», 40, n. 4, pp. 519-531.
Butler J. (1993), Bodies that Matter, London: Routledge.
Conlan A, Levin A. (2010), Museum Studies Texts and Museum Subtexts, in Levin 2010, pp. 299-310.
Crenshaw, Kimberlé (1989), Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics, «University of Chicago Legal Forum», 1989, n. 1, pp. 139-167.
Criado Perez C., Caroline Criado Perez on fighting for a female statue in Parliament Square, «The Financial Times», 7 December, 2017.
Deepwell K. (2006), Feminist Curatorial Strategies and Practices since the 1970s, in New Museum Theory and Practice, edited by J. Marstine, Oxford: Blackwell, pp. 64-84.
Dimitrikaki A. (2010), Feminist Politics and Institutional Critiques: Imagining a Curatorial Commons, in Working with Feminism: Curating and Exhibitions in Eastern Europe, edited by K. Kivimaa, Tallinn: Tallinn University Press, pp. 19-39.
Dimitrikaki A, Perry L., eds. (2013), Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions, Liverpool: Liverpool University Press.
Disch L., Hawkesworth M., ed. (2016), The Oxford Handbook of Feminist Theory, Oxford: Oxford University Press.
Ebeling S (2016), Museum & Gender. Ein Leitfaden, Münster: Waxman.
Ebeling S. (2018), Naturing Gender and gendering nature in museums, in Grahn, Wilson 2018, pp. 61-78.
Graham B., Howard P., eds. (2008), The Ashgate Research Companion to Heritage and Identity, Aldershot: Ashgate.
Grahn W. (2011), Intersectionality and the Construction of Cultural Heritage Management, «Archaeologies: Journal of the World Archaeological Congress», 7, n. 1, pp. 222-250.
Grahn W. (2018), The politics of heritage: how to achieve change, in Grahn, Wilson 2018, pp. 255-268.
Grahn W, Wilson R., eds. (2018), Gender and Heritage: Performance, Places and Politics, Abingdon: Routledge.
Harding S. (1993), Rethinking Standpoint Epistemology: What is “Strong Objectivity?”, in Feminist Epistemologies, edited by L. Alcoff, E. Potter, New York: Routledge, pp. 49-82.
Harrison R, (2013), Heritage: Critical Approaches, Abingdon: Routledge.
Harrison R. (2015), Beyond “Natural” and “Cultural” Heritage: Toward an Ontological Politics of Heritage in the Age of Anthropocene, «Heritage & Society», 8, pp. 24–42.
Hein H. (2010), Looking at Museums from a Feminist Perspective, in Levin 2010a, pp. 53-64.
Hill O. (1877), Our Common Land (and Other Short Essays), London: Macmillan.
Iskin R. (2017), Re-Envisioning the Contemporary Art Canon: Perspectives in a Global World, Abingdon: Routledge.
Jones A. (2016), Feminist Subjects versus Feminist Effects: The Curating of Feminist Art (or is it the Feminist Curating of Art?), «OnCurating», 29, pp. 5-20,
Karp I., Lavine S., eds. (1991), Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington,DC: Smithsonian Institution Press.
Krasny E. (2015), Feminist Thought on Curating: On Method, «OnCurating», 26, pp. 53-71.
http://www.on-curating.org/issue-26-reader/the-curator-and-her-double-the-cruelty-of-the-avatar-copy.html#.WrKgzhP48U, 23 January 2018.
Krasny E. (2016), Curatorial Materialism. A Feminist Perspective on Independent and Co-Dependent Curating, «OnCurating”, 29, pp, 96-107.
http://www.on-curating.org/issue-29-reader/curatorial-materialism-a-feminist-perspective-on-independent-and-co-dependent-curating.html#.WrIs1xP48U0, 8 February 2018.
Krasny E, Fraunemuseum Meran, eds. (2013), Women's Museum Frauen Museum: Curatorial Politics in Feminism, Education, History and Art. Politiken des Kuratorischen in Feminismus, Bildung, Geschichte und Kunst, Wien: Löcker Verlag.
Landry B. (2007), Race, Gender and Class: Theory and Methods of Aanalysis, London: Routledge, 2007.
Levin A., ed. (2010a), Gender, Sexuality and Museums: A Routledge Reader, London: Routledge.
Levin A. (2010b), Introduction in Levin 2010a, pp. 1-15.
Levy J. (2013), Gender, Feminism, and Heritage, in Heritage in the Context of Globalization: Europe and the Americas, edited by P. Bihel, C. Prescott. London: Springer, pp. 85-94.
Logan W., Craith M., Kockel U., eds. (2016), A Companion to Heritage Studies, Chichester: Wiley Blackwell.
March C, Smyth I, Mukhopadhyay, eds. (1999), A Guide to Gender-Analysis Frameworks, London: Oxfam.
Massey, D. (1996), Space, Place and Gender , Oxford: Polity Press.
Meade T., Weisner-Hanke M., eds. (2008), A Companion to Gender History, Oxford: Blackwell.
Moghadam V., Bagheritari M. (2007), Cultures, Conventions, and the Human Rights of Women: Examining the Convention for Safeguarding Intangible Cultural Heritage, and the Declaration on Cultural Diversity, «Museum International», 59, n. 4, pp. 9-18.
Moser, C. (1993), Gender Planning and Development: Theory, Practice, and Training, London: Routledge.
Nochlin L. (1988), Why Have There Been No Great Women Artists?[1971] In Women, Art and Power and Other Essays, by L. Nochlin, Newcastle: Westview Press, 1988, pp.147-
Pollock G. (1999), Differencing the Canon: Feminist Desire and the Writing of Art’s Histories, London: Routledge.
Pollock G (2010), Encounters in the Virtual Feminist Museum: Time, Space and the Archive in Feminisms is Still Our Name: Seven Essays on Historiography and Curatorial Practices, edited by M. Hayden, J. Sjöhom Skrubbe, Newcastle: Cambridge Scholar, pp. 105-140.
Porter G. (1995), Seeing Through Solidity: A Feminist Perspective on Museums, «The Sociological Review», 43, pp. 105–126.
Puwar N. (2004), Space Invaders. Race, Gender and Bodies Out of Place, Oxford: Berg.
Reading A. (2015), Making Feminist Heritage Work: Gender and Heritage, in The Palgrave Handbook of Contemporary Heritage Research, edited by E. Waterton, S. Watson, London: Palgrave Macmillan, pp. 397-413.
Reading A. (2016), Gender and Memory in the Globital Age, London: Palgrave Macmillan.
Reilly M. (2015), Taking the Measure of Sexism: Facts, Figures, and Fixes, «ArtNews», May 26,
http://www.artnews.com/2015/05/26/taking-the-measure-of-sexism-facts-figures-and-fixes/, 8 February 2018.
Reilly M. (2018), Curatorial Activism: Towards an Ethics of Curating, New York: Thames & Hudson.
Richter D. (2016), Feminist Perspectives on Curating, «OnCurating», 29, pp. 64-75
http://www.on-curating.org/issue-29-reader/feminist-perspectives-on-curating.html#.WrIrAxP48U0, 10 February 2018.
Robert N. (2014), Getting Intersectional in Museums, «Museums & Social Issues», 9, pp. 24–33.
Rooney E. ed. (2006), The Cambridge Companion to Feminist Literary Theory, Cambridge: Cambridge University Press.
Sherman D., Rogoff I. (1994), Museum Culture: Histories, Discourses, Spectacles, Minneapolis, MN: University of Minnesota Press.
Shortliffe S. (2015), Gender and (World) Heritage: The Myth of a Gender Neutral Heritage, in: World Heritage, Tourism, and Identity: Inscription and Co-Production, edited by L. Bourdeau, M. Gravari-Barbas, M. Robinson, London: Routledge, pp. 107-120.
Smith L. (2006), Uses of Heritage, Abingdon: Routledge.
Smith L. (2008), Heritage, Gender and Identity, in The Ashgate Research Companion to Heritage and Identity, edited by B. Graham, P. Howard, Aldershot: Ashgate, pp. 159-178.
Sonkoly G., Vahtikari T (2018), Innovation in Cultural Heritage Research: For an Integrated European Research Policy, European Commission, DG for Research & Innovation.
Spongberg M., Curthoys A., Caine B., eds. (2005), Companion to Women’s Historical Writing, Basingstoke: Palgrave Macmillan.
UNESO (2001), Universal Declaration on Cultural Diversity, UNESCO.
UNESCO (2003), Convention for the Safeguarding of the Intangible Cultural Heritage, UNESCO.
UNESCO (2014), Gender Equality. Heritage and Creativity, UNESCO.
Tong R. (2014), Feminist Thought: A More Comprehensive Introduction, Boulder, CO: Westview Press.
Vergo P. (1989), The New Museology, London: Reaktion Books.
Warner M. (1985), Monuments and Maidens: The Allegory of the Female Form, New York: Atheneum.
Waterton E., Watson S, eds. (2015), The Palgrave Handbook of Contemporary Heritage Research, London: Palgrave Macmillan.
Wilson R. (2018), The tyranny of the normal and the importance of being liminal, in Grahn, Wilson 2018, pp. 3-14.
Withers D. (2015), Feminism, Digital Culture and the Politics of Transmission: Theory, Practice and Cultural Heritage, London: Rowman & Littlefield.
World Heritage and Gender (2016), «World Heritage», n. 78.